Tag: UK

I’M A FAN by Sheena Patel

Here’s hair-rising story of a romantic obsession that includes such hilarious chapter headings as:

first of all i didn’t miss the red flags i looked at them and thought yeah that’s sexy

Here she is stalking someone:

(The woman) doesn’t pull her phone out of her pocket as she’s probably one of those technologically ethical mothers, but I bet she’s dying to scroll.

And when she visits a wealthy person’s home:

The scene is lit from one of the large windows opposite me, which lends the table this romantic Modern-meets-seventeenth century Dutch still life vibe and I think how the fuck do you know how to do this

But really it is mostly very sad. The obsession is so strong, and the object of it so undeserving, that it is basically self-harm. It then leads to a further, even worse obsession with one of his other girlfriends, and especially with her online persona. Eventually, it becomes a story that asks the question: what would it be like if Instagram finally did manage to totally take over your life? What if you actually did lose the battle against social media? It’s kind of hair-raising, because it seems all too possible

THE CITY AND THE STARS by Arthur C Clarke

Here is a book set in the incredibly far future. I was not too sure on the plot, but the vision was interesting. It shows a city governed by a huge Central Computer that generates all their needs and keeps them all eternally young. This is what humans think is the only place left that humans live, but then the protagonist finds another settlement of humans, who have decided to accept mortality. This sounds like it is going to be an interesting discussion of the question of : would you like to live forever if you could? To me the answer is OF COURSE.

Anyway, that is not where the book goes, it goes into robot worms and stuff. But I still enjoyed it. And I loved learning about the life of Arthur C Clarke, who peaced out of the UK at forty to go live in Sri Lanka and scuba and be gay and write books.

FOR THY GREAT PAIN HAVE MERCY ON MY LITTLE PAIN by Victoria Mackenzie

Here is a novel where the backstory is better than the story. It weaves together the stories of two real women from the 14th century. One is an anchoress, Julian of Norwich. She lost her siblings and father to the plague, and then her husband and child. She decided to become an anchoress, which involves you going into a room in the church, and then them BRICKING YOU INSIDE. There is a window to the outside world, through which she gets food and can see people who come to ask her advice, but that’s it. CAN YOU IMAGINE YOUR ISSUES.

The other woman, Margery Kempe is arguably even stranger. She is the wife of a wealthy businesswoman. She has the number of children you have when you don’t have bodily autonomy, and she is suddenly overwhelmed with weeping at Christ’s suffering. She cries a lot, she preaches a lot, all the while being threatened with being burned alive for the revolutionary idea that she can have a personal relationship with Christ (ie., the basis for all contemporary Christianity). She ends up travelling the world doing all sorts.

What makes the book dull is that we have to hear a lot about their religious visions, which is as boring as hearing about people’s dreams. Actually probably more boring, because at least dreams can be new (an octopus ate my pasta) whereas Christian religious visions are not (man gives out fish, etc).

What I did find interesting was how we come to know about these women. For example, the housewife Margery Kempe is the first person to write an autobiography in English – a pretty major deal. And her wild and improbable story would have been totally lost to us, were it not for a houseguest, who in 1934 was searching in a closet for a pingpong ball, and dislodged a pile of papers which turns out to be the only surviving manuscript! It’s just wild to think how many lives are completely lost to us. Thank god we now have social media so every minute of important lives are minutely documented!

I’M SORRY YOU FEEL THAT WAY by Rebecca Wait

Speaking as a middle class person who lives in London I think I have had about as much as I can handle of novels by middle class people who live in London. I know this is not fair, but this book annoyed me. London has 10 million people in it, more than some countries (less than mid-sized Chinese cites), all of whom are I am sure very interesting and worthy of novels and etc. In any case, to this book.

It tells the story of a couple of generations of a family, each from their own perspective. This isa promising idea, and some of the he-said she-said of this I enjoyed. One sister in particular is uncertain of herself and yet helpful to everyone, without getting much appreciation. The framing was that we were supposed to feel for her, but I just wanted to smack her. I don’t know if this makes me a bad person, but honestly here’s how I feel: it’s not everyone else’s problem if you choose to be a doormat. That’s on you.

O CALEDONIA by Elspeth Barker

Here is a book in which someone is very, very angry about their Scottish childhood.  It opens with the tombstone of a teenage girl that reads:

Chewing gum, chewing gum sent me to my grave

My mother told me not to, but I disobeyed

This gives you a taster of the extremely bizarre world of this book.  From page one, you get the feeling you are in the hands of someone who knows what they want to say, and is going to go ahead and say it.  And indeed the introduction tells me that this was the author’s first and only book, written in her fifties, and when it arrived at her agent:

It needed no editing.  It was simply there in all its dark and glittering glory. 

It’s a story of a girl growing up, and is almost painful to read, reminding you how incredibly difficult it is to grow up.  Some of it is just a bit LOL, as when her breasts start to arrive, and her mother tells her that “a bosom is a beautiful and natural thing.” Her parents then “went away on a spring holiday, leaving Janet a small book to read.  It was an account of more of the beautiful and natural things which lay in store for her. Janet was appalled.”

But much of it is just much harder and sadder.  Her mother does not much like her, she is not very popular at school, and the amount of non-consensual groping that apparently went on in the first half of the twentieth century is honestly astounding. She is later badly affected by Hiroshima (you can see she is not the most ordinary little girl):

She could no longer have faith in God or man.  She transferred any religious impulse which might yet linger within her to the Greek gods who did not even pretend to care especially for humanity or to value its efforts and aspirations, being far too busy with their own competing plots, feuds and passions. 

I found this interesting.  Indeed, life being so unfair and random, you can see where the idea of the Greek gods does kind of make more sense than the Christian god.  It is interesting Western culture has gone for the latter. 

NIGHTS AT THE CIRCUS by Angela Carter

I loved this book but also did not love it. It tells the story of a woman born with wings. This is the nineteenth century, and she is female, so this means she ends up almost immediately in a brothel, and then in some kind of creepy situation with a man who is going to kill her. Maybe you don’t even need wings for this to happen for you, maybe it’s enough just to be poor.

In any case it is full of wonderful images. Here we are on her underwear: “elaborately intimate garments, wormy with ribbons, carious with lace, redolent of use, that she hurled around the room apparently at random. ” Or here she is talking about what she saw in the air: “the great dome of St Paul’s until it looked like the divine pap of the city, which for want of any other, I must needs call my natural mother” I never thought before how much St Paul’s looks like a breast, and now I will never be able to think of it any other way.

On the other hand, the book did kind of feel like it was going nowhere. It went from image to image and at some point I was just like SNORE. Probably I should have kept pushing through, but what can I say. Time is short.

BURMESE DAYS by George Orwell

Here is a novel about the British Raj in Burma in the 1920s. You would think if you are going to go to the trouble of colonizing a place you would at least enjoy yourself. Here, they do nothing but bitch. It’s too hot, we don’t like the food, there aren’t enough sidewalks and etc. I just finished THE GREAT FIRE, where they did some similar whining, but about Australia. I don’t think this happened as much in Southern Africa (e.g., ‘Happy’ Valley), possibly because it’s just a better place. SHOUTOUT TO THE SUBCONTINENT!

The story is around a man named John Flory, who particularly suffers with the narrow-mindedness and (though he does not call it this) racism of his colleagues. He falls madly in love with a young woman who is as narrow-minded and racist as any of them, but he is frankly desperate. Meanwhile, his only real friend, an Indian doctor, is at risk from a corrupt Burmese official. Unsurprisingly, it all ends badly.

It’s in that ‘unsurprisingly’ that my issue with this book sits. The whole thing drips with doom from the beginning. It’s like a morality story, in which the good die young, told very slowly. I don’t know too much about the British in Burma, but it also strongly has the vibe of being written by someone who wasn’t there for very long but still has a lot of opinions. And yet, I still enjoyed it. Orwell’s a good writer, and this was an interesting window into a certain kind of (thankfully) lost life.

SMALL THINGS LIKE THIS by Claire Keegan

I read this 110 page novel in almost a single sitting. It has featured on a lot of BOOK OF THE YEAR lists, and I can see why. It’s remarkably densely packed, creating a whole world of snowy working-class Ireland. I read it on Christmas Eve, and luckily it was also set on Christmas, which added to the charm. However the story is not very Christmas-y. It’s about guilt and what you should sacrifice for people you’ve never met. Okay, maybe it is kind of Christmas-y.

It tells about a man who while making a delivery of coal to a Convent gets some sense of what is actually happening to woman in it’s Magdalen laundry. This deserves a googling, if you’ve never heard of these institutions. Essentially they began as places for sex workers to be ‘saved.’ They were saved by working for free fifteen hours a day as laundry workers. This worked so well (for the church’s bottom line) that soon all sorts of women were interned, including orphans, the flirtatious (?), and in general any woman who it was convenient to get rid of.

This poor coal delivery guy is then faced with a very specific moral problem, as it is made very clear to him how little he can do to help, and what the consequences will be for him if he tries. It’s gripping, I recommend it.

THE GRASS ARENA by John Healy

Sometimes it feels as if every addict has written a memoir, like it’s one of the twelve steps or something.

I was recently noting how very many there were, and how similar. Here’s the book that shows I was wrong (first time for everything). It also shows something we often forget: how incredibly stitched up the book world is by people who were able to graduate high school.

THE GRASS ARENA is by a man who had an exceedingly tough childhood, became an alcoholic, and spent fifteen years homeless. It makes all sorts of more famous books on alcoholism look like a holiday camp, because they are all written by people who, at the end of the day, had parents in the suburbs to go back to. I have never read an account of what it is to be an addict without a safety net.

The grass arena is public parks, mostly round Camden. This is very much a book of north London. He tells about his daily life. He wakes up blacked out most days, and begins again from scratch to find enough money to drink. Let me give you a sample:

George and Ernie came back with a bag full of chicken bones. They’ve been down the dustbins again, back of the restaurants. Everybody welcome to lunch. Yeah, we’re all going to catch some horrible unspeakable disease. Not today perhaps. But time is on the dustbins’ side

He also tells us about his fellow drunks (not his friends, as he emphasizes: there are no friends in that community):

Alfie used to drink with a guy called Fingers Knox but Fingers got himself killed when he fell from the top to the bottom of the escalator in the tube. Poor old Fingers, that was some drop – he was a good beggar – lost most of the tops of the fingers of his right hand to the frost, a few winters back. He was a middle-aged Jock, used to travel out on the last tube to Edgeware every night to a skipper. He’d beg all the way on the tube going out, get a bottle next morning and beg his way back to the park. He was never without a drink. He used to take fits and get mugged often. He got nicked one time and the computer or something showed he was a deserter from the army in 1939! . . He used to say it was sad to have to creep and crouch and slink next morning after drink and that was why he always done a bit of late night begging. . . He had style. He would not keep jumping up at everyone that went past. He would wait. Then when he sensed the best beg, he’d put on his begging smile, beam in. Nine times out of ten it would be a fiver touch.

I find this very touching somehow, that this is what is left to posterity of Fingers Knox. The author eventually goes to jail for a long period, gets clean, and is eventually rescued from alcoholism by chess. Yes, you read that right. Someone teaches him chess and it transforms his life. He becomes a professional chess player. And then a yogi. What a man! What a life!

MY PHANTOMS by Gwendoline Riley

This one is COMPLETELY SEARING and I can’t recommend it strongly enough. Steel yourself though. I read that the author is surprised people continually assume the book is autobiographical, and I can tell you right now it is because it is so specific and accurate one can only think it comes from someone’s real life.

It is about a woman’s relationship with her mother. She only sees her once a year, so the book is mostly a series of conversations, and it is the dialogue that is so achingly perfect. Here the mother is, welcoming a man she hopes to date:

“And would you like a drink?” my mother said, as Dave handed her his coat and smiled at us. “Or a … radish, or … You want it, we got it,” she said, in her Italian restaurant owner voice. “We gotta the radishes, we gotta the nuts!” she said.

The mother is horrifyingly closely observed, the kind of observation of someone else most people never do, and if they do it is only of close family members. Try this:

My mother loved rules. She loved rules and codes and fixed expectations. I want to say – as a dog loves an airborne sick. Here was unleashed purpose. Freedom, of a sort. Here too was the comfort of the crowd, and of joining in. Of not feeling alone and in the wrong.

I see that I somehow can’t describe this book. But take it from me: it’s chilling