SEVERAL SHORT SENTENCES ABOUT WRITING by Verlyn Klinkenborg

A fantastic and pragmatic book about writing. The most interesting part was when he said most of what blocks you from writing is worrying about whether it’s in-general-good-enough. In fact, if you just work on fixing whatever sentences hit your ear oddly, then there is nothing to be blocked about. I found this quite inspirational

GREAT GRANNY WEBSTER by Caroline Blackwood

It’s incredible how any time a book is really weird you can tell it is written from life. This one is really loopy, being a thinly fictionalized account of the author’s great-grandmother and grandmother. The great-gran is pretty intense, being a rigid and lonely old woman who spoke to no one but her one-eyed servant for months at a time. Eerily she spends most of all day in a hard-backed chair, in total idleness, not even reading a book. Her grandmother meanwhile appears to have had some kind of post-partum psychosis, believing in fairies and elves and trying to kill her son who she thought was a changeling. A lot of the action of the book takes place in a crumbling Irish stately home, which her grandfather does not have the money to keep up. I find it strange how many books there are about how difficult it is to have an inheritance. I’d like to give it a try.

This book apparently was denied the Booker because Philip Larkin, chair of the committee, thought it could not be classified as fiction. I have no evidence but you just know he thought women talking about their own lives was low value. It’s a good thing I love AN ARUNDEL TOMB so much or I would have a lot more to say on this.

STAY TRUE by Hua Hsu

Here is a book about grief. It is written by someone born in the same year as me, and tells about his best friend in university, who died when he was a junior. It was eerie to read a book so exactly of my time-and-place. That rarely happens for me. I enjoyed this for example, something I had forgotten about:

Back then, years passed when you wouldn’t pose for a picture. You wouldn’t think to take a picture at all. Cameras felt intrusive to everyday life. It was weird to walk around with one, unless you worked for the school paper, which made picture taking seem a little less creepy.

I’d forgotten about a time before photos were the default.

The story was a sad one. What struck me was how much I now recognize what grief looks like: the guilt about what you could have done differently (oh GOD, the guilt), the retrospective wondering what your relationship meant, and etc. I can’t imagine how the author got together the emotional resilience to write it. I barely had the resilience to read it.

One thing I have been thinking about recently is how anytime someone dies, you read about them in the paper after a stabbing or whatever, there is almost always really bereft family and friends left behind. It’s kind of beautiful to think that every random person you see in the street is so surrounded by love.

MONKEY BOY by Francisco Goldman

It is strange how few books there are by immigrants, and how many by immigrants’ children. My theory is we immigrants are busy, trying to assimilate or live the capitalist dream or whatever, and it’s the children who have the free time to try and understand what just happened.

In this book an American man, the child of a Guatemalan and a Ukrainian Jew, puts the effort in. Some parts of it I found pretty interesting, like his flashbacks to middle school, and a particularly epic high school crush. Other parts were less interesting, like where he visits his mother in her retirement home, tirelessly grilling her about Guatemalan history despite her advancing dementia. I mean I get it: he is deep in middle age, and wants it all to have some meant something. Good luck with that I guess.

THE ART OF SCANDAL by Regina Black

This book sounded like it was going to be fun. A politician’s wife finds out her husband has been cheating on her, and agrees to a payment of $1M to stick with him till the next election cycle. It didn’t quite work for me though. I thought it was going to be fun and silly but in fact it was rather bleak and sad. And there was quite a lot of therapy speak. Not my kind of book I guess.

MOSCOW STATIONS by Venedikt Yerofeev

It boring to listen to other peoples’ dreams. It is also boring to be with drunk people babbling away while you are sober. This book is kind of a mix of these two kinds of borings. I feel bad to have to say it, as this is a famous classic of 20th century Russian literature, and the author had an eccentric, impressive, and difficult life. Like GULAG ARCHIPELAGO, it circulated on samizdat for many years before the government allowed it to be published (appearing in a magazine dedicated to education on the evils of drinking, though its unclear if the editor meant this as a joke or not). It tells the story of a man getting progressively drunker as he rides the train from Moscow to the suburb where his son lives. One interesting point to learn was how really rough Soviet alcoholism was. At one point the narrator tells us about one drink he makes, called ‘Dog’s Giblets,’ which involved mixing floor varnish and brown beer. This is not an exaggeration – apparently the author’s girlfriend used to hide her perfume when he came round, for he would drink it. I literally can’t imagine that status you have to reach to seriously consider the floor varnish, let alone the perfume

BOOK LOVERS by Emily Henry

This lady has been writing back-to-back New York Times’s bestsellers. This is her third (!) This one is a rom-com about a literary agent who gets together with an editor. It was sprightly and fun and ideally suited to my Covid daze. It was interesting to read about the editing process, because I am very confident this book has been through a very rigorous editor. It is sharp as a tack. Like YOU, AGAIN, another rom-com that I read during Covid, it has been edited to within an inch of its life. Not a single piece of flab: just a machine for delivering plot. That’s hard to do and I admire it hugely.