THE EAST OF EDEN LETTERS: JOURNAL OF A NOVEL by John Steinbeck

Every day before he began work on his novel EAST OF EDEN, John Steinbeck wrote a letter for his editor and friend Pascal Covici. These were never really intended to be read by Covici, but instead functioned as a warm-up for Steinbeck’s day’s writing, in which he ruminated about his ideas for the book, and his process in writing it.

The book is thus an interesting insight into the working methods of an experienced author. Aspiring novelists, give in to despair right now: he routinely cracked out 1500 words a day, and considered this a leisurely pace.

There are lots of interesting and entertaining observations. Regarding having his book read by his editor:

I am never shy about it when a professional is doing the reading. But God save me from amateurs. They don’t know what they are reading but it is much more serious than that. They immediately start writing. I never knew this fail. It is invariable. For that matter, I think I dislike amateurs in any field. They have the authority of ignorance and that is something you simply cannot combat

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Or, regarding his original plan, to have every second chapter be more philosophical than plot based:

Such readers as only like plot and dialogue can then skip every other chapter and meanwhile I can take time for thought, comment, observation, criticism, and if it should seem a good thing to throw it out, I can do that too.

I often skip or skim boring bits in books, and I am pleased so great an authority as John Steinbeck clearly operates on this principle on occasion too.

Anyone who has ever written a diary knows how maudlin anything we write just for ourselves can be, and the letters are frequently of this nature, with moaning about DIY and needing to go to the toilet. This can sometimes be dull to trudge through, but was also I found curiously compelling. You do not often get a day-to-day account of someone’s year, and this made me feel strange close to the writer, and to his period.

EAST OF EDEN by John Steinbeck

I seem to be reading nothing but memoir at the moment, so I thought that this epic novel would be a interesting change.

Oh dear, never mind that, this turns out to be a kind of memoir too, but of the large scale, mythic and messed-up kind. Steinbeck wrote it as a history for his small sons, and was convinced it was his masterpiece.

It’s pretty long and painful overall, but there are some great parts: a wonderful evil prostitute murderer character; ideas about early home freezing; some quite shocking violence; and an interesting conception of America: ”In the old lands they say of us that we go from barbarism to decadence without an intervening culture.”

On one level, it’s a retelling of the biblical story of Cain and Abel; on another it’s a story of the Salinas Valley in California where Steinbeck grew up; and on another it’s a history of his family. Basically, the book tells of two neighbouring families, across two generations, where two sets of brothers battle for their father’s affections. Steinbeck clearly feels we are a bit dim, and in case these repetitions weren’t enough, makes sure to tell us, frequently and explicitly, about his theory that the ur-story of us all is our endless struggle for our parents’ love.

Clearly, this guy had a lot of issues with his siblings.

Personally, I think he should have gone to the therapist, rather than the publisher, but what the hell, he’s Nobel Prize winner John Steinbeck and I’m some girl in Nairobi who’s still in her pyjamas at 2pm.