THREE CAME HOME by Agnes Keith

This was a memoir about a woman and her toddler who spent three years in a Japanese prison camp in Borneo in WWII.  As you can imagine, it was not too good a time.

The part that really blew my mind was that everyone knew the Japanese were coming, and she had multiple opportunities to get out (e.g., the wonderfully poetic ‘last boat to Singapore’).  She declined because she did not want to leave her husband.  DAMN. 

She is extremely, extremely hungry, so much so that she has to avoid watching her son eat so she will not steal from him.  When she is finally freed, she is so malnourished her sight is affected, and she cannot read.  She only cries twice: once, when they are interned, and then once again, when the Australian army drop flyers on the camp to say that Japan has surrendered.  This was already rumoured, and so the Japanese prison guards had suddenly been treating them very well, including inviting them to a – get this – farwell banquet?!?  This reminded me of COLD CREMATORIUM, another story about someone who made it to the last day of the war in a camp, and lived to see the prison guards start to worry about consequences.

The reason they had already heard about the surrender was that the British soldiers had managed to create a radio.  It took them one month to make the radio, but three months to make the tools to make it. It is completely from scratch from various bits of waste metal, and one elderly civilian’s hearing aids.  GodDAMN people in the 1940s knew how to do things!  It ran on a hand cranked generator, and the strongest man was given extra food so he could crank it.

I think the most horrifying part was the section where the womens’ camp is moved on, and they believe the men, who are left behind, will be executed.   The wives and husbands are allowed to speak to each other across a ditch.  She thinks this is the last time she will ever see her husband.  When the Australians finally arrive, and she is given paper to write home, she writes this:

“We are all alive.  George thin, but well.  The day we have lived for has come at last.  There are no words to tell you what this means to us.  I have no words to say what I feel.  Peace and freedom at last. Thank god.”

Imagine the state you have to be in, that the first thing you right is, ‘We are all alive.”  It was the first news her family had had of her since the beginning of the war. 

BORED GAY WEREWOLF by Tony Santorella

This book had a fun premise, in which a twenty-something slacker who is incidentally a werewolf gets sucked into a dodgy self-help movement. But then it went a bit sideways, and kind of trite, complete with fight scenes and ‘found family.’ I am not sure where I wanted this book to go, but it was not that way. But it was fun in any case.

THE MOUNTAIN AND THE SEA by Ray Nayler

I gave up on this book, but I still enjoyed it. The 300 pages I did read were jam-packed with ideas. Basically it asks the horrifying question on what would happen if octopuses acquired our level of intelligence. This I consider a really big concern. Because let’s say dolphins did, or parrots, they don’t have opposable digits, so basically nbd. But octopi have four times our number of opposable digits! Its set in the far future, and is one of the few really believable far futures I’ve ever read. There’s a slave ship for scraping the last protein from the ocean, which has slaves on it because they are cheaper than robots, there’s a cyborg whose feelings are hurt because academics can’t agree if he is conscious or not, there’s customized hologram boyfriends, and that’s before the octopi get super intelligent.

There’s also a cool part about how our brain floats around in total dark, and our whole sense of the world comes from electrical impulses sent to it in its black chamber. I love this image.

WE HEXED THE MOON by Mollyhall Seeley

Here is a book the author describes as being about: “four best friends who fuck around with The Moon and then very quickly Find Out about The Moon.” As you can maybe tell, it is a triumph of voice, and specifically GenZ voice.

The friends do a spell that pulls the moon from the sky.. The moon then comes to their house and wants answers. This plot, while wild, is really neither here not there. What matters is the vibe. Let me not talk about it, let me just quote extensively from the first page:

“Twitter is crumbling, fittingly, into a timeline of what is no longer called Tweets, now called Xs. Twitter is dead & so is nature, probably. Jen’s never having kids. That’s what Jen’s college application was about, framed through a lens of climate grief, ‘the sense of loss that arises from experiencing or learning about environmental destruction or climate change.’ Jen’s college counselor thought grief was a very powerful world. She said Why say grief and not sadness & Jen said Sadness is local, grief is cosmic. Global heating. Universal heating, maybe, who knows. So Jen’s not having kids but she is going to Yale.”

I’ve never read a book quite like it. I can’t say I know what it was ‘about’ – my female friendship? I didn’t care about the characters or anything like that, but I don’t think that was the point.

VIOLET CLAY by Gail Goodwin

I don’t know why this wonderful book is not more famous. I loved it. It tells about a woman trying to be an artist, and covers the terrible fear and dread of that activity better than anything I’ve ever read. Apparently there is a name for the coming-of-age novel of an artist, and it is kunstelrroman, and this is considered by some to be the first female one. (How do we feel about that this only happens in 1978?)

The book is written from the perspective of her early 30s, and covers her confidence as she graduates college (she won a college prize!), to the hard road of the next ten years, during which she has to do commercial illustration, and does less and less of her actual art. She has a LOT of casual sex (is this what the 70s was like? Does not seem hygenic), and suffers very much over how she is intentionally wasting her time and distracting herself from the fact that she is failing – not just in the world’s eyes, but in her own. She is interested in the dates of birth of famous artists, so she can calculate their age at the time of their first big success, and give herself hope that it is not too late for her.

Try this: “New York from across the river resumed the manageable proportions of a maquette, a harmless little table model on which I could project my dreams. It had looked like this when I rode the Carey bus into its center nin years ago from Newark. I still felt the old twinge when I looked at it now. I still wanted to leave my mark on it, even though it had left so many marks on me.”

Substitute London for New York, and I hear you Gail Goodwin, god I hear you. I see this author is still alive and was last published in 2020, so I am for sure going to read more.

GREAT BIG BEAUTIFUL LIFE by Emily Henry

I don’t really read genre fiction, except for Emily Henry. She writes clever, fun rom-coms. I was excited for this new one to come out. But it wasn’t really for me. It is about two authors striving to be given the chance to write a celebrity’s memoir, and the main story is intercut with a summary of memoir’s plot. This means half the book is a summary of another, less good book? So I was underwhelmed, though the other half of the book was fun, standard, Emily Henry.

OH THE GLORY OF IT ALL by Sean Wiley

In this memoir we see what happens when selfish people get divorced. The book is by the son, who was nine when his parents split up. His father was immensely wealthy, and did a good job of making sure his mother (third wife) got very little. She responded with high drama, asking Sean (the son) to DOUBLE SUICIDE WITH HER, and then GUILITING HIM when he didn’t. You would think his weeks with his father could only be better than this, but the new wife, the step-mother, is Snow White levels of bad. As a small example, at the dinner table, she has herself, the dad, and her kids sit at one end, and then leaves some chairs before Sean’s chair on his own. There are much more, and much harsher rules for him, and she tells Sean a lot about how his father doesn’t love him.

Predictably, Sean explodes as an adolescent. He is clearly a loving person, and this book is as much about the friends who get him through it, as the parents who are the ‘it’. The book in my view was a little long – we could have lost 100 pages without trouble – but I still enjoyed it, and admired the author rising above his childhood so magnificently.

FOURTH WING by Rebecca Yarros

Here is a multi-million copy bestseller.  It’s about school for dragon riders, kind of GAME OF THRONES meets HARRY POTTER, with some added TWILIGHT, and you can see where that got the publisher’s immediate greenlight, because let’s give the people what they want.  I read a charming article with the author, Rebecca Yarros and learnt she is a military wife (and mother of six!) who’d written twenty or so contemporary romances that sold only middlingly well, before she hit on this mashup of high fantasy and romance, which has made her famous.  Her mind is blown.  

So I love the author, but I’m afraid this is not really my kind of book. I just can’t get passed how dumb it is.  I think this is more a me-issue than the book’s issue though, and is all down to my being rigid and joyless.   A better person would not be immensely bothered by the fact that the love interest’s name is ‘Xaden’!  I mean: Xaden?!?.   In any case, I did read the whole thing – it’s very more-ish, with lots of plot and twists and turns and will-they won’t-they – which I really admired.  And I’m delighted for this lady’s success.

DREAMSTATE by Eric Puchner

In this novel a woman scraps her wedding after falling in love with the best man.  JUICY!  Interestingly though, this exciting premise only takes up the first maybe 20% of the book.  Then we follow the main characters – the ex-groom, the wife, the best man, through what turn out to be long and interconnected lives.  It’s pretty sad at the end. This is not because they lead sad lives.  It’s full of all the stuff lives are full of, children, jobs, crises, etc.  It’s not even sad because at the end they are old, and deal with the stuff that comes if you are lucky enough to get old, dementia, cancer, etc.  It’s more just a feeling of: so that was that.  All that drama, changing husbands, breaking hearts, and you all end up at the same place in the end.  

I really loved some of the descriptions.  We’ve got a child “seven years old and preposterously beautiful, like a child in a French movie;’ we’ve got chimpanzees “lounging around their enclosure like Romans after an orgy;” or this, on Haloween:  “Occasionally someone executed a costume so perfectly that it made you wonder whether you’d undersold what life had to offer. ” 

Or this, from when the bride first meets the best man, Garrett: 

“He had one of those pitiable mold-length beards, less a fashion choice than a flag of surrender.    . . . Charlie had said Garrett was having a bit of a hard time – what that meant exactly, Cece wasn’t sure, except that in guy-talk ‘a bit of a hard time’ generally meant something much worse.  It meant depression or addiction of both.”  

LOL.  Well done this author.  This must have taken some serious work. 

PLAYWORLD by Adam Ross

I had a lot of contradictory feelings about this lengthy book. On the one hand it was full of incident, covering a year in the life of a fourteen year old child actor, who is being groomed by a family friend, while his parents consider divorce. On the other hand it was kind of dull. And yet I read the whole thing. And I guess I’m happy I did, it was so detailed and fully realized, I feel like it was a kind of vacation in 1980s New York adolescence. Mostly it made me glad to be an adult in London in the 2020s.