Tag: UK

SHEEP’S CLOTHING by Celia Dale

This book absolutely shivers with a detailed understanding of lower middle class London life.  Try this, the first paragraph:

“Two women stood outside in the shadow of the overhang from the walkway above, for Mrs Davies lived on the ground floor of a block of council flats; a mixed blessing, for although it meant she had no stairs to cope with and need never worry whether the lift had been put out of order yet again, she was a sitting target for hit-and-run bell-ringers, letterbox rattlers, window-bangers and dog dirt. And worse.  So far she had been lucky, but she knew better than not to keep her door on the chain.”

It’s banging.  I saw this writer described as ‘Austen but with murder,’ and this is a better description than any I can come up with.  It’s very clean, contained, comic writing, but just that it includes a lot of crime.

It tells the story of a two female con artists.  But don’t think these are fun, glamorous cons.  It’s a sad little scheme aimed to bilking old ladies out of whatever cash they have after pension day and any few bits of their mother’s good jewellery they might have been able to hang on to. 

It’s an interesting one, because I found it comic and miniature while reading it, but it has grown in my mind since, getting bigger and sadder over time.

ORDINARY HUMAN FAILINGS by Megan Nolan

I enjoyed this author’s first book, ACTS OF DESPERATION, and read an interview with her where she denigrated it, saying this one – ORDINARY HUMAN FAILINGS – was in her opinion much better.  I am amazed.  ACTS OF DESPERATION was grippingly grim, but had a enjoyably comic energy and a general direction towards sanity.  ORDINARY HUMAN FAILINGS on the other hand is just grim.  Like, so grim it starts to feel kind of ridiculous.  It’s about child murder (beloved topic of UK cultural life), so obviously I did not expect it to be cheerful, but wow: every single person in it is a venal and depressing failure. I mean all of them.  From the damaged mother, to her brother, the tragic alcoholic, to the money-grubbing journalist who writes about them – they are all victims or perpetrators. The only person who actually tries to do something positive is the gran, but don’t worry, there is a long explanation of how she only does this because she was not loved enough as a child.  I mean, okay.  I just had to quit it. 

THE MINISTRY OF TIME by Kaliane Bradley

This is SUCH a fun book. It tells the story of a government program that manages to bring a handful of people from the past (specifically 16th, 17th, 18th centuries) into the present day. SPOILER ALERT, it is mostly a kind of rom-com about the relationship between a Victorian polar explorer and his present day minder, a government employee. All time travel books run the risk of getting into but-what-if-I-killed-my-grandfather territory, and I won’t say this book doesn’t get there. But who cares when it is so fun. Try this:

“He was introduced to the washing machine, the gas cooker, the radio, the vacuum clear.

‘Here are your maids,’ he said.

‘You’re not wrong.’

‘Where are the thousand-league boots?’

‘We don’t have those yet.’

‘Invisibility cloak? Sun-resistant wings of Icarus?’

‘Likewise.’

He smiled. ‘You have enslaved the power of lightning,’ he said, ‘and you’ve used it to avoid the tedium of hiring help.’

‘Well,’ I said, and I launched into a pre-planned speech about class mobility and domestic labour . . . and by the end I’d moved into the same tremulous liquid register I used to use for pleading with my parents for a curfew extension.

When I was finished, all he said was, ‘A dramatic fall in employment following the ‘First’ World War?’

‘Ah.’

‘Maybe you can explain that to me tomorrow.'”

That gives you a good sense. It’s a deeply thought though culture-clash story and I really enjoyed it. I don’t believe it would really be possible for a Victorian man to have a happy relationship with a contemporary woman, but there you go, that is just because I am a miserable feminist killjoy and takes nothing away from the story.

THE ROAD TO NAB END by William Woodruff

It is rare, at least in English, to find a book written by someone who grew up really poor.  And it’s very rare for that book to be pre-1950.  Off the top of my head, I can think of LARKRISE TO CANDLEFORD and MY FIRST THIRTY YEARS and that’s about it.  THE ROAD TO NAB END is one such.  It’s a memoir of a childhood in the early 1900s in Blackburn.  I had never heard of this Blackburn, but it was apparently a key starting point of the Industrial Revolution, especially in clothing manufacture.  Unfortunately for the author, the Revolution was running out of steam as he arrived, and his family were at the sharp end of it.  Try this:

“I think the damp worried me more than the cold.  There was nothing to stop it rising through the flagstones that covered the floor . . .  The washing hanging from the ceiling didn’t help either.  The cold was sometimes so severe it made us forget the damp.”

“All meals were our favourite meals,” he says at one point, a sentence I have thought of often in my revoltingly privileged life of restaurants and ‘standards’ about food. 

What makes it especially sad is that his parents moved to America in about 1910, and then, in a tragically poor piece of decision-making driven by homesickness, came back again, just in time for the father to be drafted into WWI and clothing manufacture to move to America.  Here is his grandma, when challenged about moving to the US:

“And don’t give me that old buck about love of country.  That kind of talk is for toffs.  You keep the country, I’ll take the money.  Frankly, I don’t care whether God saves our gracious king or not.  I’m tired of the whole rotten lot.” 

She certainly never came back, and ended her life rich and comfortable.

The presence of the WWI veterans is a particularly sad part of this book.  One lies babbling in a bed in the front garden of the house across the street for twenty years, presumably from shell shock or a head injury. 

It’s a clear, straightforward re-telling of a tough childhood, and it made me grateful for my cushy adulthood.

SEVENTEEN by Joe Gibson

A memoir by a man who at 17 was groomed by his female teacher into a sexual relationship.  He does a fantastic, horrifying job of telling it very much from the perspective of his 17-year old self – how wonderful he found her, how frightened he was of her, and etc.  It must have been very hard to do, because from any adult perspective you can tell she is a strange and manipulative woman, delighted to find someone who will follow her creepy script for romance.  You can tell the author shares this adult perspective, as the post-script takes us to him at 35.  The detailed story ends at his prom, but then he tells us that he ends up getting married to her in his first year of University (in his home town, because ‘you can’t go to Oxford,’ she tells him, because then we’ll be separated); and having a baby in his second year; and another baby in his fourth.  Once he is capable of earning a wage, she never works again.  He hates his job and she convinces him it is his duty to stay with it.  Though he does not talk too much about it, the book absolutely aches with regret for the young years he lost.  What is particularly sad is how clear he makes it that many people – including people in the power structure of the school – who knew what was happening and ignored it, because it was inconvenient for them for it to be happening.  A complete heartbreaker of a story. 

THE INHERITORS by William Golding

Here is a book about the meeting of neanderthals and homo sapiens, told from the neanderthals perspective.  Unsurprisingly, our species does not come out of it looking good.   It really is incredible how our first instinct is to kill, and our second is to abduct.  You do feel sorry for these Neanderthals. 

The first part is the most successful, where you follow a band of 7 Neanderthals as they move from their winter to their summer locations.  There is an impressive inhabiting of a mind that (from our perspective) is sort of half-way there.  Then they meet the ‘bone-faced men,’ who surprise them by being bone-faced, and even more by existing, as the group had previously thought they were the only bipedals in the world. 

From very first meeting you know it is going to end badly for someone, with the Neanderthals watching with interest as ‘small straight twigs’ are thrown at them by the bone-faced men.  These are of course arrows, and it goes downhill from there.

I have to admit I gave up close to the end.  There was a very very long section in which the Neanderthals were watching the early humans go about daily life in a clearing.  I appreciate Golding was having fun sharing his research with us but I got bored.  However, that said, I still enjoyed it. 

PS: I learnt from the introduction – did you know Golding’s other book, LORD OF THE FLIES was widely rejected by agents while in draft?

SATURDAY NIGHT AND SUNDAY MORNING by Alan Sillitoe

I am always struck by how vanishingly rare it is to read a book by a working class person before about 1950.  Here is one.  It’s a hair raising account of heavy boozing and factory work in Nottingham, and you know all you need to know when I tell you this book is where the expression ‘Don’t let the bastards get you down’ comes from.  Try this sample:

“Factories sweat you to death, labour exchanges talk you to death, insurance and income tax offices milk money from your wage packets and rob you to death. And if you’re still left with a tiny bit of life in your guts after all this boggering about, the army calls you up and you get shot to death. . . .  Ay, by God, it’s a hard life if you don’t weaken, if you don’t stop that bastard government from grinding your face in the muck, though there ain’t much you can do about it unless you start making dynamite to blow their four-eyed clocks to bits.”

‘It’s a hard life if you don’t weaken!’  I love that

This author began life as a factory worker, but then married a poet and used his army pension to move to Spain to write.   I was touched to hear he wrote this under a lemon tree at Robert Graves’ house, who was the person who encouraged him to write the life he knew.  I love Graves’ GOODBYE TO ALL THAT,  a wonderful book about binning your life and becoming a bohemian, and it was sweet to meet him at second-hand through this other writer. 

THE WALL by John Lanchester

In this book set in the far (near?) future, England is surrounded by a wall which is perpetually guarded against ‘the enemy’ who are desperate to get in. 

The exact situation is not described, but you get the impression there has been a massive raise in sea levels globally, and that the enemy is desperate climate migrants.  Much of the book is a straightforward adventure / romance story, focused on one man who is serving his mandatory two years on the wall.  SPOILER His unit allows an incursion, so they are all set adrift in the ocean.  Despite it not really going anywhere in terms of plot after this, I still found it a compelling story of an all-too-possible world.  Probably my favourite part was how it was well understood by the entire culture that the older generation was entirely at fault and they were ostracized appropriately. 

MONEY by Martin Amis

This was one of the more famous books of the 1980s. I cannot say I am feeling it. It tells the story of an author whose book is being made into a movie. He has an alcohol problem and rolls joyfully/miserably through various excesses of his private and professional life. It is a novel of voice, the exuberant voice of the alcoholic, and I think we are supposed to be shocked and titillated by how transgressive he is. A woman at a bar is a ‘big bim,’ he has lots of thoughts on black New Yorkers, etc. I just found it kind of snore.

SIDE BAR: I am 100% sure that this author has daddy issues, just on general principles, because men like this always do. I note that Martin’s father, Kingsley Amis, was also an author and wrote the book LUCKY JIM, also a novel in the voice of a disillusioned man. This one, just as transgressive, is wonderful and heart-warming and made me feel free to hate my life. I am sure these two books are in some kind of dialogue, but can’t be bothered to Google to find out how.

SUPER-INFINITE by Katherine Rundell

I don’t know why but somehow I took it into my mind to read this biography of Renaissance poet John Dunne. It was pretty interesting but extremely random. I found learning about the Renaissance pretty interesting, as for example, that they used to serve a roast pig with a roast chicken posed on top of it, dressed up as a jockey.

It was comforting to learn that despite being today regarded as a major poet, Dunne was in his time as confused as the rest of us. As he explained to his friend in a letter: “I would fain do something.” His problem was figuring out what. He fell madly in love with a rich girl who abandoned her family to be with him. She then spent her entire adult life pregnant, dying in her twelfth childbed at age thirty-three. As I so often reflect in reading about history, THANK GOD FOR BIRTH CONTROL.

Interestingly Dunne often wrote his poems in letters to his friends, and did not keep copies. They poems only survive because they were copied by others, and handed around. He had no way of knowing how popular they were. It is quite possible that some of the ones that are most famous today he had already forgotten about in his own lifetime. He eventually went into the church, becoming a famous speaker, with 6,000 people (!) coming to see him at St Paul’s.

Particularly impressive was how he handled his death. As he lay dying, he not only gave instructions for the carving he wanted on his tomb (him, wrapped in his own winding sheet); but also got out of bed and got into his winding sheet, so the artist could sketch it and take his comment. It still stands in Westminster Abbey, being one of the few that survived the Great Fire of London a hundred years later.