victorian Archives -

VANITY FAIR by William Makepeace Thackeray

Thackeray, rather impressively, had managed to lose all his money by the age of 25. This was partly because he was a pretty bad businessman, and partly because he had a pretty big gambling problem.

He thus had turned to writing for an income, and eventually in his late thirties managed to produce VANITY FAIR, the novel that gave him back his financial independence, and eventually his claim to literary posterity. I always feel rather a fondness for these historical figures who only get their acts together in their thirties.

VANITY FAIR is, curiously enough, both a wickedly comic and a deeply moral book. It tells the story of two young women: Becky, who is poor, dishonest, and very clever, and Amelia, who is rich, honest and about as dim as a trout. I would summarise the plot, but honestly, this thing is 900 pages long, I don’t think you want me to. Briefly: marriage, Battle of Waterloo, death, debts, Wimbledon, bankruptcy, long lost love, India, happily ever after.

The joy of it really is the shining comic voice. Here, about a hopeful MP:

But though he had a fine flux of words, and delivered his little voice with great pomposity and pleasure to himself, and never advanced any sentiment or opinion which was not perfectly trite and stale, and supported by a Latin quotation; yet he failed somehow, in spite of a mediocrity which ought to have insured any man a success.

A wonderful book.

Trivia!: Weirdly, Thackery went to the same school – Charterhouse – as an author two books back, Robert Graves, and hated it just as badly, always calling it Slaughterhouse.

FREE FOR FOR MILLIONAIRES by Min Jin Lee

This is the story of one Casey Han. Her parents moved from Korea to America to escape the troubles there in the aftermath of the war, and have provided her with a solid upbringing in Queens. She received a scholarship to Princeton, and the story tells of her attempts to find a job and a happy relationship as she grows into her twenties.

It’s enjoyably Victorian, which a giant cast and lots of interweaving plots, and maintains your interest, if not your sympathy, throughout. The main character is always re-reading MIDDLEMARCH, and I will eat my bra (and its got a LOT of underwire) if the author is not a great lover of the Victorians.

Actually, I’ve often noticed that immigrants are fond of the Victorian style (another example is Vikram Seth’s A SUITABLE BOY, the first book of this blog), and you may not be surprised to learn that I’ve got a theory about it. It’s this. Ready?

Now, you can’t play variations on a theme until you know what the theme is. Or: you can’t remix a track that doesn’t exist. European and American writers can have a fine compempt for narrative, and for character; they can mix it up and spit it out all they like, because the basic narratives in which they live have all been formed already. Thus they can mix and remix. They can be modern, and post-modern, and tear the Victorian novel apart, because they already have the Victorian novel. A lot of people from outside this tradition, however, have never really had their stories told. Thus, they need plot, and character, so their grandchildren can rip them all up. They need to write their own Victorian novels.

It’s kind of the same thing with modern art. You can’t mess with the visual world until you’ve agreed what the world looks like.

I can’t think that I’ve ever read a book as absolutely immersed in consumer culture as this one is. Casey has a bizarre sense that the world has somehow treated her unfairly, because she is not as wealthy as some of her fellow students at Princeton. She honestly seems to consider herself poor, and, also bizarrely, the author seems to agree with this anaylsis. This is a book in which not being able to afford 500 count Egyptian cotton sheets is regarded as being a genuinely difficult thing, for which Casey deserves sympathy. It makes it a little hard to relate to.

Eventually, Casey decides to go to business school (irritatingly referred to as B school throughout), and the world of business is written about with such familiarity that I think I learn a little something about the author’s background, and about why the absence of 500 count sheets might be perceived as such a problem.

I just googled her, and if you look here you’ll see I won’t be needing to eat my bra.

THE SMALL HOUSE AT ALLINGTON by Anthony Trollope

Yes, I’m on a massive Trollope kick. There’s no denying it. He’s just orderly. His world is rational. I LOVE it. I specifically saved this book for a long plane ride I had, and it was awesome. It’s just amazing how a book with a strong plot can erase an airport, annoying seat mate, etc etc. Not that I also didn’t watch 3 movies (Dear John – AVOID!, Remember Me – Robert Pattison and 9/11 – nuff said; and Green Zone – MOSTLY AVOID!) Anyway, in the small house at Allington lives a young lady called Lily Dale, apparently one of Trollope’s best loved heroines. Her cousin brings a young man Mr Crosbie down to stay, and the two fall in love. He asks her to marry him and she accepts.

This is usually where most Trollope novels end, but with this one our problems are only just beginning. Mr Crosbie is much admired at the Civil Service, where he works, and uses his small income to impress. He realises that if he gets married he’ll be trapped in a small house with babies and have hardly any income at all. A very modern worry really. So like two weeks later he asks this titled lady he’s known for some time to marry him instead. She also doesn’t have much money, but he thinks a titled connection will be good for his career, and he likes her well enough. She’s been on the market 14 years, so decides to cut her losses and accept.

Lily is made totally miserable by this desertion. Interestingly, so is Crosbie. He finds he has nothing in common with his new wife, and is expected to keep up a way of life way beyond his income. In addition, his social circle are not impressed with him for jilting Lily. He gets attacked at a train station by one John Eames, who is in love with Lily, and wants to avenge her. He asks Lily to marry him, and she refuses, saying she is married to Crosbie in her heart. Which is a bit bizarre.

What I loved about this book was the writing style (smooth as butter!), the dilemma of Crosbie (it was very interesting to see someone make personal calculations of that kind) and of course meeting people from the other novels in the series. It’s like coming across a different period in your life, quite unexpectedly, because I read some of these novels ages ago.

Last: did you know Trollope wrote every day for three hours, without fail? 250 words every 15 minutes, and he said he didn’t understand all the agonising and wall staring; it’s just discipline. He said he attributed his whole success in life to the discipline of early hours. Let’s put that in our lazy pipes and smoke it.