Category: fiction

WEIRDO by Sarah Pascoe

Here is a book in which the worm refuses to turn.  It starts off as kind of a love story, with a girl running into a boy she used to have a crush on in a London pub.  You find out that the crush was so large that she followed him – without his knowledge – to Australia, so she could manufacture an accidental meeting.  This is crossing a line, but okay, maybe it’s a quirky love story.  Then you find out that once she got there, she was very worried that Australia – the whole country –  might be being staged for her benefit.  Things get weirder from there.  It’s a really compelling, and claustrophobic narrative voice. 

I know it doesn’t sound it, but it’s very funny.  For example, at one point she says: “If there’s anything I’ve learned in my thirties, it’s don’t cut your hair while crying.”   It’s also an interesting meditation on obsession.  At one point, there is a parable about a monkey who puts his hand in a jar to get a treat, and then, because his hand is full, can’t get it out again.  The lesson being: 

“If you want to be free, all you have to do is let go.” 

I like this.

THE PUMPKIN EATER by Penelope Mortimer

There are many novels about unhappy marriages. This is a particularly good one. I had never heard of THE PUMPKIN EATER before, but I am informed by the Introduction that is among the first and most important of the twentieth century. I don’t know about that, but I thought it was banging.

Try this description: “His eyes twinkled as though hung in his head to frighten the birds away”

The book tells the story of a woman on her third marriage, with a large number of children. She gets pregnant again and her husband is not happy, so she agrees to an abortion and sterilization. The day she gets back from the hospital, she finds out he is having an affair. This is back in the day when cheating was more acceptable, but she does not find it to be very okay. To be fair to him, she herself admits she is unhealthily obsessed with children, and especially babies. She makes this interesting summary:

Now I realized how completely I had been absorbed by Jake. I needed the outside world, but had no idea where to find it. For the first time, I needed friends; there were none.  Over-indulgence in sexual and family life had left us, as far as other relationships were concerned, virginal; we said we had friends much as schoolchildren, busy with notes and hearts and keepsakes, say they have lovers.

I found this so interesting! It’s rare you see this idea expressed, but I think it is in fact very common for married people to be extraordinarily lonely and friend-less, and not even know that they are.

CHARLOTTE GRAY by Sebastian Faulks

Here is a novel about a female spy. It starts as a straight-forward love story, then becomes an espionage novel, and then loses its way for a bit, struggling to connect the plotlines while getting deep into French politics in WWII.

It’s engaging throughout, which is a feat at 500 + pages, and is remarkable for deep research and believable characters, even when the plot is a little shaky. I was especially struck by the presentation of how ordinary French people reacted when their neighbours were collected into railway cars and sent ‘east’. How did they react? Apparently they were not just fine with it, they actively applauded. It is pretty chilling.

Also of interest was the worldview of those who signed up to the ideas of Vichy France: that is, that German was clearly going to win the war, so it made sense to accept this early and get France the best seat possible in the ‘new Europe.’ One can see the pragmatism of this view. It is darkly funny how completely wrong they were. What I learnt from this is that when you are being ‘pragmatic’ (i.e., dividing up your neighbours clothes between yourselves) you better make sure you are making the right bet, because if you are not, you are truly left with nothing, not even your dignity.

THE SUITCASE by Sergei Dovlatov

I picked up this book in the week Alexi Navalny died. It’s like a very tiny tribute to that remarkable and heroic tradition of Russian dissent of which he was an heir.

It begins: “So this bitch at OVIR says to me, “Everyone who leaves is allowed three suitcases.  That’s the quota.” LOL! You know you are in for a good dictatorship story when it begins with encounters with bureaucracy. I myself have fond / horrifying memories of a certain 12 hour long queue to get a Zimbabwean passport in 2010.

The novel is structured around the stories of each of the items he was supposedly allowed to take out of Russia. It is both hilarious and sad. How hilarious is this:

Two hundred years ago the historian Nikolai Karamzin visited France.  Russian emigres there asked him: “What’s happening back at home, in two words?”

Karamzin didn’t even need two words. “Stealing,” he replied.

A great book.

BEER IN THE SNOOKER CLUB by Waguih Ghali

This is a novel about an Coptic Egyptian dealing with some pretty modern problems. It’s the 1950s, he comes from money, he gets involved in the wrong side of of the revolution, he moves to Europe, and he becomes poor in that really penniless way that only intellectuals seem to be able to manage.

He suffers a lot, and I felt for him, but I also wanted to shake him. One of his big problems is that he doesn’t feel like he is ‘Egyptian,’ because he is relatively well off and a Copt (so speaks French and English rather than Arabic). There is nothing that annoys me quite so much as this unthinking agreement we all seem to have that you can only ‘really’ be part of a country if you are part of the majority of that country. When he moves to Europe he also does a lot of suffering, because he feels that while he has been on some level formed by European ideas he does not fit in there either. This also makes me want to shake him, and say: it’s fine to also not be part of Europe! A hybrid person is still a real person!!

These are I recognize all the struggles of the colonized intellectual, so perhaps that this seems so clear to me in the twenty first century is because I stand on the shoulders of those of the twentieth, who did the suffering for me. Poor Ghali, he killed himself in London in 1968.

SOUTH RIDING by Winifred Holtby

To show there has been a book written about everything, here is one on local government.  It is a touching story of a Yorkshire community in the 1930s, covering the rich, the poor, and everything in between. 

It’s shockingly contemporary in many ways.  Most affecting is the story of a very bright teenage girl whose mother dies giving birth to an eighth child, and who thus has to drop out of school at 15 to look after the other kids  Note, the doctor had told the mother she should not have another child, and she did not want one, but I guess she could not refuse her husband, who got a bit drunk and after all it wasn’t his death sentence and THANK GOD FOR BIRTH CONTROL.

Also THANK GOD FOR VACCINATION.  The author, Winifred Holtby, died at 36, of kidney issues from the Scarlet Fever she had as a child.  She knew she had only about two years to live and dedicated it to finishing this book.  It was her fifth, and she was disappointed none had been very warmly received.  This one, published posthumously, was a huge hit and is now considered a twentieth century classic.   

Side bar, this Winifred Holtby was a dear friend of Vera Brittain (whose TESTAMOUNT OF YOUTH I read a couple of years ago).  They lived together when they moved to London after university, and then, touchingly/weirdly, carried on doing so even after Vera got married.  To answer your question, the husband did not like it, no. 

How much do you love this line from the introduction, about how Winifred was in 1935 “staying in Hornsea on the Yorkshire coast in order to escape the distractions and fatigue of life in London  . . .”  The distractions and fatigue of a life in London!  I hear you Winifred, I hear you. 

OLAV AUDUNSSON: VOWS by Sigrid Undset

I just had to quit this book, even though it was well-written and impeccably researched.  It was set in thirteenth century Sweden, and was fun journey into that very different world.  It starts with a teenage couple having sex after a night of drunken feasting.  They know they shouldn’t be doing this, as they aren’t formally engaged, but they do it anyway.  And things start to unravel from there.  It may sound unreasonable, but I just had to stop.  Like I appreciate that if you make a bad decision you have to pay the price, but do I need to read a whole book about it?  Like I get it okay ACTIONS HAVE CONSEQUENCES and it sucks. 

Especially actions you take when you are young.  When you’re young you end up writing these blank checks (I’ll choose this career, I’ll marry that person) and then life, like some kind of loan shark, just keeps cashing it for decades.

NORMAL WOMEN by Ainslie Hogarth

There were lots of bits of this book that I liked. Try this:

One of the cats levitated to the porch railing, where it lifted its leg, long and straight as a geometry compass, and made a noisy, jubilant feast of its asshole.

Or this, in a mall food court:

They saw men’s pale legs. Frail as roots. Buried all winter. Exposed, now, too soon. Cold. Tortured. Standing in line for fast food. Bringing their trays to small tables, tucking in the attached chairs, alone, knees pointing in opposite directions. Too much thing. Unsettling tendons. Dry knees. Leg hair. White socks. Sneakers.

But in the end I could not finish it. I just got too irritated. It was about a rich woman who never organized herself to have a real job, and now that she is married and a full-time mom, is anxious about unlikely scenarios in which her husband can no longer earn money. I mean I sort of feel for her but on the other hand she is so checked out she doesn’t even know whether their mortgage is expensive for them or not. I mean?!? It just seemed super-whiny. Suffragettes did not go to jail for this I can tell you that much.

POOR THINGS by Alasdair Gray

Here is an very fruity book about SPOLIER ALERT someone creating a living woman from the body of a dead woman and the brains of her fetus. 

It was pretty interesting as a concept, but I found I struggled to care on some level.  Everything was so wild and magically real that it was hard to feel that anything meant anything or would have any consequences. It made me think about FRANKENSTEIN, and especially why the monster in that book is male and not female.  Because, let us face it, if some mad scientist in the nineteenth century thought he could bring someone back to life he would 1000% have tried with a woman because, obviously, sex slave.  Perhaps because Mary Shelley was female it did not go in that direction, but you know realism-wise it ought to have.  Also, I’ve just been in a Wikipedia deepdive about Mary Shelley, and let me give you the sobering reflection that she wrote FRANKENSTEIN when she was just 19! However she had already led a big life, having got together with Shelley when she was 16 (and he was married), after meeting him secretly at her mother’s grave (why), and then running away with him because even though it’s 1819 she believes in FREE LOVE.   What a baller. 

DON’T LOOK AT ME LIKE THAT by Diana Athill

Athill’s writing is just so completely clean and unpretentious it feels like a near-miracle. I am close to having read all her books, and am going slow, because I don’t want them to be over. Her memoir INSTEAD OF A LETTER was a searing story of getting dumped, while SOMEWHERE TOWARDS THE END is an only slight more searing story of what it is like to get old. This is not memoir, but fiction, and I did not like it quite as much.

It tells the story of a young woman who gets to move to London after the second world war. The freedom that I, fifty years later, take for granted, is for her and her friends completely unexpected and thrilling. She gets a job (!), has sex (!!), and meets immigrants (!!!). She is also a pretty cold-hearted tease. She’s a very pretty woman, and is not too bothered about making it clear when she is not interested. I don’t want to be too judgmental, but I found it really pretty mean.

Let’s close with a lovely snippet, about her arguing with her mother as a child: “If I sulked and cried I could usually make my mother cry too – during our rows we would sob rage and frustration at each other – but she always won because an adult’s tears are more frightening than a child’s . . “