Tag: fiction

DEVOTION by Madeline Stevens

DEVOTION is okay for a beach read, which is lucky, because I read it on a beach. It tells the story of a nanny who becomes obsessed with her employer. It is another of what seems to be an entire new genre on income inequality. Eventually it all blows up when the employer is extremely intoxicated, and her husband and the nanny force her into a threesome. I got the impression we were supposed to think this was some kind of crescendo of obsession, but mostly I just thought it was rape. Like, check it out, you don’t get to have sex with someone who is too drunk to consent, no matter how obssessed you are or how rich they are.

THE BEAUTIFUL AND THE DAMNED BY F Scott Fitzgerald

I have not read this book for about thirty years, and it certainly has changed.  It tells the story of a married couple who spend a lot of money and have a lot of fun.  They claim this is because of some life philosophy they have about living for the day and damning tomorrow.  In fact, it is because they expect a large inheritance. I used to think this was wondefully romantic; now I just think it’s amazing how many philosophies you can come up with if you expect to inherit.

It begins to look as if they will not receive the inheritance, and they descend pretty quickly into drinking too much and cheating, having now boxed themselves into a corner.  Here is the husband, having made the mistake of looking at the alumni magazine of his university (always a mistake when you are feeling low):

He laid down the magazine and thought for a while about these diverse men. . . (In the past) he would as soon become a churchgoer because the prospect of immortality gratified him as he would have considered entering the leather business because the intensity of the competition would have kept him from unhappiness.  But at present he had no such delicate scruples.  This autumn, as his twenty-ninth year began, he was inclined to close his mind to many things, to avoid prying deeply into motives and first causes, and mostly to long passionately for security from the world and from himself. 

Then they sue, and get the inheritance after all; but by then they have already learnt some rough lessons about what happens when you damn tomorrow. I mean on the one hand I feel sorry for him but on the other hand BOO HOO I AM SO SORRY YOU ALMOST DIDN’T GET AN UNFAIR GODDAMN ADVANTAGE. 

THE VIRGIN SUICIDES by Jeffrey Eugenides

I like Jeffrey Eugenides’ MIDDLESEX, and to a lesser degree THE MARRIAGE PLOT, so I was a bit surprised to be so underwhelmed by this one.  

On the surface it seems like it should be interesting, being the story of how five daughters in one family came to all commit suicide.  Somehow however, from this promising material, a very boring book is written. I think part of the problem is the attempt at formal inventiveness in the narrative voice.  The story is told by some undefined ‘we’ who are apparently the neighbourhood boys, who are apparently recounting this story many years later. I just found this dumb.  Also I didn’t really like the heavy emphasis on how inscrutable females are, that inevitably came with it.  No doubt that is what teenage boys really do feel but so does most of western literature, and so it is a bit SNORE.  Probably they had mental health issues or were being abused or something, like Jesus guys it’s not that complicated.  Anyway I did like this sex scene, so I’ll leave you with that.  Don’t say I never do anything for you:

Two beasts lived in the car, one above, snuffling and biting him, and one below, struggling to get out of its damp cage.  Validanlty he did what he could to feed them, placate them, but the sense of his insufficiency grew and after a few minute, with only the words “Gotta get back before bed check,” Lux left him, more dead than alive. 

IN A SUMMER SEASON by Elizabeth Taylor

Here is a story of a suburbia.  A middle-aged woman marries a much younger man after her first husband dies, and . . . Never mind the plot, because as the introduction tells us, the author is ‘bored by narrative. ‘

Usually this kind of thing is RED FLAG for me, but Taylor is such a fine writer she makes it work.  Try this, of the teenage son coming home late:

Tom walked up the drive, treading silently on the grass verge, let himself in quietly and crept upstairs.  The house was night-quiet.  They were all as fast asleep as innkeepers of an afternoon.  They dreamt their innocent, middle-aged dreams and rested their aging bones

And try this, on his mother’s thoughts when this same son rolls his eyes at her:

They condescend, Kat thought.  They behave like people who are trying hard not to be snobbish.. . They are appalled for us that we are middle aged.

Or this, on a son’s reaction to having to talk about his mother:

His fists seemed to be tightened in readiness, lest anyone should find her as absurd as he did . . .

It’s wonderful, sharply observed writing.  Particularly heartbreaking is our occasional insights into the mind of the family cook, who is really quite despairing on her life, but somehow carries on cooking.  Taylor uses the word ‘courageous’ about how she faces some potatoes in a way that made me want to tear up.

I got up in Wikipedia to try and figure out why a writer of this quality is not more famous.  I found no straightforward answer, but I think it is probably down to her being perceived as too mumsy.  She lived an almost incredibly bourgeouis life in the London suburbs, and I guess being the wife and mother of bankers is not as interesting as being an actual banker.  (Side bar, I am sure this was half the problem for Hilary Clinton too.  Fundamentally, people don’t want their mothers to succeed).  In any case, it is interesting to see about her process (thanks to the Atlantic for the information):

She said “I dislike much travel or change of environment and prefer the days … to come round almost the same, week after week.”. . . That steady rhythm allowed for her regular and admirable output—although she began to publish only when she was 34, wrote “slowly and without enjoyment, and think it all out when I am doing the ironing,” and regularly put her work aside to attend to her children and household (!), she produced 12 novels, four story collections, and one children’s book in 30 years

MAYFLIES by Andrew O’Hagan

This book got rave reviews. Myself, I could not see it. It begins as a story of teenage boys going to a concert. I could see that it was well-written, but I found it hard to follow: it was so very, very deep in British culture, in the 1980s, and in men, that it was almost incomprehensible. I suspect the rave reviews come from older men who remember this world?

The second half of the book is about the same group of men, but thirty years on. So I hear: I didn’t get there.

THE PROMISE by Damon Galgut

Here is a spectacularly well-written book that I admired, but did not enjoy. It tells the story of a South African family, across four funerals, where the supposed engine is a promise made to the domestic worker to give her the deeds to the house she lives in on their property.

Let’s start with what was great. Here’s a description of the family home:

Beyond it, a diorama of white South Africa, the tin-roofed suburban bungalow made of reddish face brick, surrounded by a moat of bleached garden. Jungle gym looking lonely on a big brown lawn. Concrete birdbath, a Wendy house and a swing made from half a truck tyre. Where you, perhaps, also grew up. Where all of it began.

BOOM. Amazing, and if that does not speak to my minority I do not know what does.

The cast of this book is large, and it’s amazing how the author seamlessly moves between perspectives. He also has a lot of fun poking holes in his own illusion. One lonely woman sits with a cat on her lap, and then he tells us maybe she doesn’t; maybe he will leave her truly all alone. This is both annoying and fun.

Given this mostly seems to be compliments, I struggle a bit to tell you what I didn’t like about this book. I think, first off, it annoyed me that everyone in the book was either mean or sad. That’s just not true of real life, and it seemed kind of self-indugently despairing. Like everything is hard enough, I don’t need to deal with this ludicrously bleak world also. Omicron is quite enough right now. Also, it’s probably not fair, but this conflict about the domestic worker’s land never really got off the ground for me. It just seemed a sort of cliche attempt to make some kind of commentary (that other people have made far better) about South African inequality. Maybe he felt he couldn’t write a white domestic drama without foregrounding this issue? Maybe he is one of these old white people who mostly relates to race-based issues through the only back people they know, i.e., domestic workers? Okay, now that’s getting really unfair. I’m getting as mean as the people in this book. I blame it on Omicron.

WISE BLOOD by Flannery O’Connor

Here is a book that involves a man in a gorilla suit using an umbrella skeletron as a weapon, a hit-and-run accident that is not an accident, and some self-blinding with lye. Unsurprisingly, it is in fact a book about religion.

It’s a strange, Gothic Southern story, that I did not enjoy but some how admired for its insanity.

I guess what I took from this book is that human beings have a very high level of baseline crazy. Sometimes this comes out in belief in god, sometimes it comes out in belief in ghosts, sometimes in QAnon.

ONE FAT ENGLISHMAN by Kingsley Amis

I found Amis’ LUCKY JIM to be both hilarious and liberating. This story, like LUCKY JIM, is about an angry and selfish university professor, but this is where the similarity ends. LUCKY JIM was a cheerful and basically optimistic book about blowing up your miserable life. This is a bleak book about doing the same.

I did not enjoy it, but I admired it. Amis sticks doggedly to having a thoroughly unattractive protagonist. Self-involved, over-weight, anti-semetic, and those are just the headlines. He particularly dislikes women, despite spending most of the book trying to sleep with them. Here’s a sample:

A man’s sexual aim, he had often said to himself, is to convert a creature who is cool, dry, calm, articulate, independent, purposeful into a creature that is the opposite of these; to demonstrate to an animal which is pretending not to be an animal that it is an animal.

I struggled a bit with how it is that this unpleasant man managed to sleep with so many women over the course of the book. Perhaps standards were lower back in the day. Apparently Amis himself was a major philanderer, which occasioned the end of his first marriage. Interesting trivia, his second was to Elizabeth Jane Howard (whose Cazalet Chronicles I am so fond of, what was she thinkng ?!?), and when that ended he wound up living out his old age with his first wife and her third husband. These people GOT AROUND.