Tag: Female writer

THE SHOOTING PARTY by Isabel Colegate

Historical fiction is kind of rare, and this is a wonderful example of it. It tells about a 1913 shooting party, and is really remarkable in just 181 pages in creating a complex series of relationships and characters.

It’s difficult to summarize it, despite it being so short, because it’s a masterclass in density of feeling and incident. As in real life, not much is happening, but beneath is a heaving mass of emotions.

Most interesting I found was the way in which the book functioned as a meditation on the pre-War world. These people had so much inherited wealth they could do whatever they wanted with their time, and they chose to spend it killing things. Is interesting to think if automation/AI ever ends work for all of us, what we will do with the time.

Also, just FYI, the Criterion notes about Colegate that she “may well be the greatest living English novelist, and yet many readers have never heard of her.” Truly, ladies, the playing field is not level.

THE NEW ME by Halle Butler

I liked this book for its rage. It tells about a middle class woman in Chicago who has cycled through many interests as she tries to find her path in life. Now, at thirty, she is stuck temping, and her aspirations are narrowing to just being made permanent at a job she despises. She starts to fall apart when she is let go. Before you feel sorry for her, let’s note her parents have been funding all this dicking around. It’s amazing how needing to make the rent can focus the mind.

Let me just give you this snippet:

In the windowless back offices of a designer furniture showroom, women stand in a circle, stuffed into ill-fitting black jeans, grey jeans, olive jeans, the ass cloth sagging one inch, two, below were the cheeks meet. They don’t notice theis on themselves, but they notice it on each other.

I wish I had never come across the words ‘ass cloth’ because now I think about it every time I see it.

A TIME TO BE BORN by Dawn Powell

This book is viciously hilarious in a way that suggests it is absolutely personal. Apparently, it is, written specifically as satire on a woman who was perceived as having (as the patriarchy likes to say) slept her way to the top.

In this book, the woman comes to a bad end, but Wikipedia tells me the actual woman never paid her dues. This makes sense: some of us have to pay so many dues it makes sense that some others must be skipping out.

Mostly this book is notable for the hilarious descriptions. On a busty woman’s blouse:

. . the yellow print now gracing her form, strained in a taut line across her back and then across her front so that bosoms popped out behind and before, above and below as if there were dozens of them, all crying for freedom

Or on this guy, who almost went bankrupt:

It was this snarling pack of debt which speeded (him) into the first World War and unquestionably caused him to become quite a military hero. He distinguished himself at Belleau Wood, and in Chateau-Thierry he went over the top as if he were chased by six process servers

Or an old man, with

surprisingly red hair that sprouted gaily from his ears

I ordered another book by Powell right after I finished this one.

THE VET’S DAUGHTER by Barbara Comyns

A mysterious little gothic novel about an abusive father and levitation. The arc of the story did not really work for me, so I won’t go into it, but the joy is in the world. Let me quote extensively from the first page, where the main character, a young woman, meets a strange old man on the street:

. . . I saw he was a poor broken-down sort of creature. If he had been a horse, he would have most likely worn kneecaps. We came to a great red railway arch that crossed the road like a heavy rainbow; and near this arch there was a vet’s house with a lamp outside. I said, “You must excuse me,” and left this poor man among the privet hedges. I entered the house. . . . In the brown hall my mother was standing; and she looked at me with her sad eyes half -covered by their heavy lids, but did not speak. She just stood there. Her bones were small and her shoulders sloped; her teeth were not straight either; so, if she had been a dog, my father would have destroyed her.

What a wonderful writer she is! I am totally inspired by her biography too. Unlike many other writers, this is not because of the number of books she wrote, or the contributions to literary salons, or the generally impressive CV, and etc, but because she was poor (in the introduction she tells us what the flat she is living in costs to rent, I LOVE this) and married the wrong people and had tons of jobs and lived in multiple countries and wanted to be a painter not a writer. I just find it inspirationally and wonderfully messy.

A GLASS OF BLESSINGS by Barbara Pym

This is my fourth novel of Pym’s, and some say it is her best. It was I am afraid too subtle for me. It tells the story of a fairly contented married woman, who half-considers an affair. It turns out that the guy she considers is actually gay. Or at least that is what I think might be being implied.

It was kind of a funny book. Here is the woman, sitting in a beautiful house in a bombed out area:

It made me sad to think of the decay and shabbiness all around, and the streamlined blocks of new flats springing up on the bombed sites, although I supposed it was a good thing that children should now be running about and playing in the square gardens, their shouts and laughter drowned by the noise of the machinery that was building hideous new homes for them

And yet it was also kind of sad. Here she is wondering about her proposed lover’s ‘roommate’ who she had been told is his ‘colleague.’ She starts to wonder in what sense he is a colleague.

I remembered with a pang Piers saying that we were all, in a sense, colleagues in the grim business of getting through life

I have enjoyed all Pym’s other books, and think she is a wonderful writer, so this book worries me. I feel like there is something profound in it, but I seem to have missed it.

SINS OF MY FATHER by Lily Dunn

Here is a memoir by someone whose father joined a cult. It is a lot less interesting than it sounds. I am often surprised by how little the circumstances of someone’s life seem to affect how involving their memoir is. This one I found quite dull. I feel bad to say so, because it was clearly deeply felt. Most troubling for the author was her father’s late descent into alcoholism. The degree of surprise and helplessness she feels was – I hate to say it – especially dull. Many people have done the hard miles on writing about being an addict, and loving an addict, and it’s not very easy to add anything to this, no matter how strongly you feel it.

Also annoying was some gentle name-dropping. This is always bad, but it’s particularly bad when you don’t even know who they are dropping. I find this to be a particular affliction of upper and upper-middle class British writing, and speaks to the narrow provincialism of that demographic. Antonia Fraser’s MUST YOU GO remains the high water mark of this kind of thing, and I highly recommend it if you want to LOL.

LADDER OF THE YEARS by Anne Tyler

Here is a book about a woman who walks away from her husband and her three children. She has been feeling unloved and unneeded, and on impulse leaves and starts a new life elsewhere. Boringly, she ends up going back to them. I wanted the worm to turn, but it kind of just took a detour.

What I did find interesting was that the woman is only in her early 40s. I had heard before that in the past you were considered largely useless at that age as a woman (having done all that was required of you, i.e., reproduce) but this was a particularly sad and stark example of the problem. She really seems to feel her life is over. Today, most people of that age I know are just gagging for their kids to grow up enough so they can begin getting really crazy.

THE MERCHANT OF PRATO by Iris Origo

Here is a book to make you feel like indeed all your problems are insignificant and death its on its way. It’s non-fiction, based on the 140,000 letters, 500 ledgers, 300 deeds of partnership, and various other paperwork left behind by a 14th century Italian merchant named Francesco Di Marco Datini. This is apparently one of the largest records left behind by any medieval person, and it is truly astounding. His business ventures, his house, his food, his clothes, his private conversations with his wife, his worries, his medical problems, his religious crises. It’s all in there. I don’t know what I thought medieval people were doing with their time, maybe like religious mania and starvation, but apparently they were living full and rich lives that are now completely lost.

Let me give you a flavour. He is a super anxious guy, and here he is to his wife:

Remember to go to bed betimes and rise early and let not the door be opened until you have got up. And look well to everything; let them not go a-gadding. You know what Bartolomea is; she will say she goes one place, and then goes elsewhere. Ghirigora, too, has little sense . .

And here is someone else writing to him when he is getting really carried away with renovating his house, something that even today in Tuscany is called ‘rubble disease”:

Other wise and virtuous citizens do some building, but all except you in moderation! One man has a bailiff, another a friend or a paid overseer. But you are so greedy, you will allow no single groat to be misused, nor a single brick to laid lengthways, when it would look better upright – as if your little house where to be the dwelling place of your immortal soul!

I acquired some interesting historical info too. I was surprised to find that Italians had slaves at this time, actively acquired to replace people who died in the Black Death. Then at another point some town is ‘sacked by a company of free lances,’ from which I guess we get the word freelance? Also, how amazing is that it was standard to write on the first page of all your business ledgers: “In the name of god and of profit”

But I think this history stuff I will quickly forget. What I will remember is the density of his life, the huge anxieties and sufferings and drama, him and I suppose millions of other medieval people, and millions since, all forgotten.

THE IDIOT by Elif Batuman

In this book, a girl at university gets all het up about the philosophy of language, about whether words have meaning, and if so if we can ever understand them.  Of course it all boils down to some guy.   

She meets this guy in Russian class, and he begins to write her terribly clever emails. She replies with terribly clever emails.  It is all very intellectual but also very boring, just like it always is to be up close with someone’s crush. 

The things kept accumulating – the stars, the atoms, the pigs, and the cereal.  It was decreasingly possible to imagine explaining it all to anyone.  Whoever it was would jump out of a window from boredom.  And yet here I was, watching the accumulation in real time, and not only was I not bored, but it was all I could think about.

Eventually it emerges that he for real has a girlfriend, but somehow all this suffering carries on, and this is when she starts to have problems with the structure of reality and what it all means.  The solution is offered to her on a plate, by the crush.  Here he is, talking to her:

“My friend Imre said I was behaving really badly towards you.  He said I was – what was it, it was a funny expression.  Leading you on.  He said I was leading you on.” 

It felt like being hit again, this time in the stomach. 

.. . .”I tried to explain to Imre that it’s not like that, but was really dismissive.  He said I was starting to sound banal, and like a real asshole.”

Like seriously what is up with this girl?  Words do have meaning, and here he is explaining everything pretty clear.  No need to worry about the structure of the universe, this guy just an asshole.

Sidebar, the epigraph of this book is Proust on adolescence.  I’ll just end by quoting it at length because it is so fantastic:

But the characteristic feature of the ridiculous age I was going through – awkward but by no means infertile – is that we do not consult our intelligence and that the most trivial attributes of other people seem to us to form an inseparable part of their personality.  In a world thronged with monsters and gods, we know little peace of mind.  There is hardly a single action we perform in that phase which we would not give anything, in later life, to be able to annul.  Whereas what we ought to regret is that we no longer possess the spontaneity which made us perform them.  In later life we look at things in a more practical way, in full conformity with the rest of society, but adolescence is the only period in which we learn anything. 

GONE WITH THE WIND by Margaret Mitchell

GONE WITH THE WIND is a book both profoundly woke and un-woke.  The un-woke part is very famous.  The main characters are slave owners and slave apologists, and it is fascinating to see how they construct a world in which they can still live with themselves. It’s wild to see people living their daily lives while committing atrocities.  The woke part I rarely see discussed, but for me it’s pretty woke: and that’s the character of Scarlett O’Hara. I can’t think of a book previous to this that has a female character who clearly and explicitly manipulates being female to her advantage.  I also can’t think of an earlier female character who makes her own money and is proud of it.

Also interesting, and I think something you rarely see written about, is the really horribly mean act of keeping someone dangling.  Ashley Wilkes does it to Scarlett O’Hara, and it’s really sad. I think this happens a lot: you enjoy someone else having a crush on you, because you like the attention, so instead of doing the kind thing (making it clear they have no hope, so they can get over you), you keep it going, enjoying the validation, and making them go slowly crazy.  Meanwhile you act all innocent like they are the pathetic one.