Category: fiction

AND THEIR CHILDREN AFTER THEM by Nicolas Mathieu

Here is a story about being poor on the outskirts of Luxembourg. Though let’s not get carried away: no one in Western Europe is poor by global standards. Perhaps it’s better to say, here is a story about perceived inequality on the outskirts of Luxembourg, but that’s not quite as snappy.

Anthony had just turned fourteen. He could devour an entire baguette with Vache qui Rit cheese as a snack. At night, wearing headphones, he sometimes wrote songs. His parents were idiots.

This is the first paragraph, and I’m already loving it. Here is a description of Anthony’s community:

The men said little and died young. The women dyed their hair and looked at life with gradually fading optimism.

The story covers four summers in the late nineties as Anthony, his friends, and his frenemies, grow into adulthood. It provides a microsm of a small French town that is struggling with de-industrialisation. Like kids everywhere, they are convinced against all evidence that they will lead big lives, unlike those fools their parents:

She couldn’t grasp how much determination and humble sacrifice was required to keep an average existence afloat, to bring home a salary, plan holidays, maintain the house, cook dinner every evening, and be present and attentive, while still giving a novice teenager the chance to gradually earn her autonomy

One of the kids gets out of their small town, but the rest get conventional jobs and are on course for conventional lives. Here’s Anthony:

(His mother) believed in killing herself working. . . . An idea Anthony was starting to subscribe to. At least he had right on his side. It was now his turn to complain about taxes, immigrants and politicians. He didn’t owe anyone anything, he was useful, he complained, he was exploited, he was dimly aware of being part of a vast majority, the mass of people who could do everything and were sure there was nothing to be done.

SEGU by Maryse Conde

A novel about Africa before colonialism that does not act as if before colonialism Africa was just hanging around waiting for colonialism.

Maryse Conde, a writer I have never heard of, has clearly done an incredible amount of research about historic West Africa. We are plunged into the life of an African family in Segu, a city-state that dominates the surrounding peoples through good old-fashioned violence. The main patriarch and protagonist thinks he is madly in love with his second wife who turns out to be a slave (?). The first son converts to Islam. The second one goes hunting when he isn’t supposed to and is picked up as a slave by their competitors. I mean it ALL goes on. And they still haven’t met any Europeans. Eventually this happens and then we get into Brazil, catholicism, and all sorts.

It maybe doesn’t have a ton of narrative drive, being a multi-generational, multo-decade story, something that is always hard to keep moving along, but I enjoyed it all the same.

LITTLE HOUSE ON THE PRAIRIE by Laura Ingalls Wilder

I listened to this book, which is about a long journey by wagon from Wisconsin to South Dakota, while making a make shorter journey by car from Wisconsin and South Dakota. ALL HAIL THE COMBUSTION ENGINE! I thought ten hours was a lot, but that was as nothing to the multiple weeks it took, Pa, Ma, Mary, Laura and Baby Carrie Ingalls.

Not much has improved in terms of entertainment. I googled ‘things to do off the I-90’ and the most helpful suggestion was from a trucker who said people do like to laugh at the ‘Kum and Go’ gas station (this I had already done), and maybe eat some pancake-wrapped sausages there, but there is not much else to do unless ‘you like the smell of pig sh*t.’

This semi-autobiographical story is a pretty interesting account of the settler experience. It is quite amazing to see how they managed to create a homestead out of an axe, a gun, and the prairie. It was also interesting to see that they clearly understood that they were taking land from the Native Americans. I would have expected some kind of soft-soaping, but it is exceedingly clear that they are in conflict with people already using the land, and understood themselves to be in conflict with them. They are essentially waiting for the government to hand the land over to them. I learn from Wikipedia that Ingalls daughter, who owned the rights to this story, was a raging libertarian, so I find this hilarious.

What I will probably most remember about this book is it’s success in capturing a small child’s view of the world. Many books try this, and very few succeed. It was really elegantly done here. I expected a much less sophisticated book, for some reason. I now understand why it’s a classic.

THE LYING LIFE OF ADULTS by Elena Ferrente

Gianni is a girl in her early teens who suddenly begins to feel bad about her appearance, her friends, her parents, and her school. In short, she is becoming a teenager. She says:

I felt like a failure, like a cake made with the wrong ingredients

I think I’ve largely forgotten how excruciating it was to be an adolescent, but this book made me remember.

Guiliana turned and whispered: Gianni, what are you doing, come on, you’ll get lost. Oh, if I really could get lost, I thought at one point, leave myself somewhere, like an umbrella, and never have anything more to do with me.

Oh god! Poor girl. She is having a particularly rough go of it. Her parents are getting a divorce, and not in a kind of lets-all-go-to-therapy kind of way, more in a lets-scream-a-lot kind of way. She responds by wearing black clothing, giving blowjobs to unsuitable much older men, etc. She also relentlessly pursues her cousin’s fiance, with no guilt at all, as only the profoundly insecure can do.

Finally she runs away on a train with her best friend’s annoying younger sister. This last line killed me:

On the train, we promised each other to become adults as no one ever had before.

Everyone thinks they are going to break the mould.

FALSE COLOURS by Georgette Heyer

I’m starting to wonder if I’ve read all the good ones of these, because the last few have been pretty rope-y. In this one, a twin substitutes himself for his brother and ends up falling in love with his fiance. It feels like it’s going to be classic Heyer, everyone has grey eyes, the hero wears tight white breeches and etc. But it kind of gets derailed into strange ‘mystery’ plot twists. However it put me to sleep in many an overly air-conditioned motel room, which is what I asked of it.

THE PURSUIT OF LOVE by Nancy Mitford

The blog leads me to believe this is my sixth re-read, but I think it is more than that. I turn to this novel when I need something soothing, so it is often read late at night. I don’t very often recommend it to other people, though I love it, because I struggle to articulate what it is that I love about it so much. I think it’s partly that I find it funny; it’s partly that I can’t yet quite understand what it is about it that I find funny, so it’s mysterious; it’s partly a kind of robust pragmatism in the authorial voice that I find reassuring and that bucks me in when I feel like whining.

I did not especially like the recent TV version. I thought they softened it till it wasn’t funny any more, which was strange: a book from the 1940s is apparently too edge for the 2020s.

Let’s enjoy the first para together:

There is a photograph in existence of Aunt Sadie and her six children sitting round the tea-table at Alconleigh. The table is situated, as it was, is now, and ever shall be, in the hall, in front of a huge open fire of logs. Over the chimney-piece plainly visible in the photograph, hangs an entrenching tool, with which, in 1915, Uncle Matthew had whacked to death eight Germans one by one as they crawled out of a dug-out. It is still covered with blood and hairs, an object of fascination to us as children. In the photograph Aunt Sadie’s face, always beautiful, appears strangely round, her hair strangely fluffy, and her clothes strangely dowdy, but it is unmistakably she who sits there with Robin, in oceans of lace, lolling on her knee. She seems uncertain what to do with his head, and the presence of Nanny waiting to take him away is felt though not seen. The other children, ….. all of them gazing at the camera with large eyes opened wide by the flash… There they are, held like flies in the amber of that moment – click goes the camera and on goes life; the minutes, the days, the years, the decades, taking them further and further from that happiness and promise of youth, from the hopes Aunt Sadie must have had for them, and from the dreams they dreamed for themselves. I often think there is nothing quite so poignantly sad as old family groups.

WINTER IN THE BLOOD by James Welch

For some reason I had the impression that colonialism in North America was less bloody than in Africa, involving more diseased blankets and deceptive treaties and less outright murder. I learnt how wrong I was at the Akta Lakota Museum in South Dakota. The massacre at Wounded Knee is as stomach-churning a use of guns on unarmed people as anything Kitchner did in Sudan. I bought this book there, as the back cover told me Welch is a relatively important Native American writer.

It’s about a young man who goes on a bender while looking for the girlfriend who has left him. I wish I could say I enjoyed it but it’s profoundly not my kind of book. First of all, it’s clearly a boys’ book. I can’t defend this definition, other than to say I know them when I see them. Second, it has one of those motive-less protagonists so beloved of midcentury fiction. If even the protagonist doesn’t care what they are doing, I find it hard to do so myself.

Let me give you a taste:

First Raise got us each a cup of coffee and watched us drink. It was beginning to get light. He loved us. He watched us drink the bitter coffee down. In the living room beside the oil stove, my grandmother snored. Beneath the closed door leading off the kitchen, Theresa slept or didn’t sleep.

Perhaps there are some people who don’t find this annoying. If so, I am not one of them.

LEAVING CHEYENNE by Larry McMurtry

A story of a love triangle in small town Texas. And when I say small, I mean small. When there are only about two women in the whole place, and one of them is ugly, you can see where the triangle gets more likely.

It’s told in three sections, one for each person in the triangle. Wikipedia tells me McMurtry was married twice, both times to women, which surprises me because on the evidence of this book I would say he had never met a woman. The girl’s section of the book was just bizarre. It is clear throughout which man she ought to have married, and she chooses the other, and so I thought her section would be a ‘reveal.’ What it revealed is that McMurtry thinks women are basically irrational, don’t know what’s good for them, and can’t explain their own thought process.

That said, I still liked the book. The charm is in the setting, as with other books of his that I’ve read ( LONESOME DOVE, THE LAST PICTURE SHOW (minus the cow-rape of course)). Try this, on a hailstorm:

I guess the worst was Old Man Hurshel Monroe getting his skull cracked outside the door of the bank. They say Beulah Monroe found the hailstone that conked him and kept it home in the icebox for nearly ten years, till one of her grandkids ate it for an all-day sucker.

Or this, the very opening of the book:

When I woke up Dad was standing by the bed shaking my foot. I opened my eyes, but he never stopped shaking it. He shook it like it was a fence post and he was testing it to see if it was in the ground solid enough. All my life that’s the way he’d wake me up—I hated it like poison. Once I offered to set a glass of water by the bed, so he could pour that over me in the mornings and wake me up, but Dad wouldn’t do it. I set the water out for him six or seven times, and he just let it sit and shook my foot anyway. Sometimes though, if he was thirsty, he’d drink the water first.

I googled the author and found him to be a rather charming man. I love his transactional approach to writing. Try this:

If I could not write another word of fiction and make a living, I would. But I can’t. I live off of fiction, mostly. I have a novel coming out this year, Loop Group, and I have one more novel that I owe Simon and Schuster, about an aging gunfighter. I’m getting close to thirty novels in all, I think. That’s a lot of novels. It’s kind of embarrassing. I don’t even offer them to my friends anymore. They all stopped reading at fifteen or twenty. When a new one comes out, I think, “Do I really want to mail this one around?”

CROSSING SAFELY by Wallace Stegner

An unusual novel about compromise and friendship. It’s about a pair of married couples who become friends in their twenties, and follows their relationships across their lives

It’s about the fact that some people live their best lives, and some people don’t. It’s also about the subtler point that it is hard to know which category you fall in.

The husband in one couple becomes an author. The husband in the other couple would like to, but ends up a university lecturer. This is in part because his wife, who has far more energy and ambition than he does, is convinced he should do this ‘first’ before he tries the uncertain life of a poet. Seems reasonable. However he failures to get tenure, which sends his wife into a breakdown. I mean on the one hand one has to agree with the character who tells her to ‘renounce this dramatization of failure,’ but my other suggestion would be HOW ABOUT SOCIETY JUST LETS HER GET HER OWN JOB. Honestly, can you imagine how messed up things were in the early twentieth century when half the population had to try and live out the suppressed dreams of the other half?

This whole question of ‘failure’ is an interesting one. Here is the author husband:

Is it compulsory to be one of the immortals? We’re all decent godless people, Hallie. Let’s not be too hard on each other if we don’t set the world afire. There’s already been enough of that.

This is my third novel of Stegner’s, and I am inspired to keep going. He is a lovely writer. Enjoy this description of a hillside:

The air smells of cured grass, cured leaves, distance, the other side of hills.

I wonder how long it took him to come up with that.

THE TRIALS OF RUMPOLE by John Mortimer

Here is a jolly and old-fashioned comic novel about a London barrister. It’s set in the early twentieth century, and we find not much has changed since then. An inter-city train is back then, as today, “a journey about as costly as a trip across the Atlantic,” while the summer sales on Oxford street are “a scene of carnage and rapine in which no amount of gold would have persuaded Rumpole to participate.”

The book covers a number of his cases, but it is not really the legal drama that is of interest, so much as the fun narrative voice. Here he is, for example, on his boarding school:

a wind-blasted penal colony on the Norfolk coast, where thirteen-year-olds fought for the radiators and tried to hide the lumpy porridge in letters from home

Perfect holiday reading. Do yourself a favour and google John Mortimer so you can enjoy his picture on Wikipedia. You can just smell the cigarette smoke coming off the screen. Impressively, he wrote all his novels while also having a long career at the bar. (Same for Trollope, and I often think of his comment: “All the success of my life I owe to the disciple of early hours”). In interesting trivia he married twice, both times to women named Penelope, and his father went blind after ‘hitting his head on the door frame of a London taxi’ (?).